Assassin’s Creed on Netflix finds its first series regular

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Assassin’s Creed on Netflix finds its first series regular
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Netflix’s live-action take on Assassin’s Creed has landed its first series regular: Toby Wallace (Euphoria Season 3, The Bikeriders). The show is being developed in partnership with Ubisoft Film & Television and was officially greenlit in July of 2025. Positioned as a high-intensity thriller, the adaptation centers on a clandestine conflict between factions – one pursuing control over humanity’s future, the other defending free will. The narrative will track characters through pivotal historical moments as they struggle to shape destiny. This series is the first of several planned Assassin’s Creed adaptations under Netflix’s broader agreement with Ubisoft Film & Television.

Casting and premise

Wallace is the first confirmed series regular attached to the production, with his specific role yet to be disclosed. The adaptation is described as a thriller driven by a centuries-spanning secret war, contrasting an organization focused on control and manipulation with an opposing force committed to preserving autonomy. Storylines will move across key historical events, framing personal stakes within larger ideological conflict.

Creative leadership and production

Two Emmy nominees are leading the series behind the scenes. Roberto Patino (DMZ, Westworld, Sons of Anarchy) and David Wiener (Halo, Homecoming, The Killing) are signed on as creators, showrunners, and executive producers. They are joined by an executive-producing team from Ubisoft Film & Television and beyond.

Who’s steering the adaptation – production team at a glance

The table below compiles the confirmed creative leads and producers. It reflects the official production roles as announced and helps clarify who is responsible for development and oversight.

Role Name(s) Notable Credits / Affiliation
Creators / Showrunners / Executive Producers Roberto Patino, David Wiener DMZ; Westworld; Sons of Anarchy / Halo; Homecoming; The Killing
Executive Producers (Ubisoft Film & Television) Gerard Guillemot, Margaret Boykin, Austin Dill, Genevieve Jones Ubisoft Film & Television
Executive Producer Matt O’Toole Executive Producing

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Where it fits in Netflix and Ubisoft’s slate

This live-action series is the first of several planned Assassin’s Creed adaptations under Netflix’s deal with Ubisoft Film & Television. Separately, Netflix is home to the animated Splinter Cell: Deathwatch, which is nominated for Best Video Game Adaptation at the 2025 Game Awards. The slate underscores an expanding pipeline of Ubisoft properties moving to screen across different formats.

Key facts so far

  • First series regular cast: Toby Wallace (Euphoria Season 3, The Bikeriders)
  • Greenlight: July of 2025
  • Format: Live-action series developed with Ubisoft Film & Television
  • Premise: Secret war over humanity’s future – control vs. free will – spanning pivotal historical events
  • Creative leads: Roberto Patino and David Wiener (creators, showrunners, executive producers)
  • Executive producers: Gerard Guillemot, Margaret Boykin, Austin Dill, Genevieve Jones, and Matt O’Toole
  • Related Netflix project: Splinter Cell: Deathwatch, nominated for Best Video Game Adaptation at the 2025 Game Awards

Why this matters – what players can expect

Final takeaway: With its first series regular set and showrunners in place, Netflix’s Assassin’s Creed is moving from announcement to build-out. For fans, that means a focus on ideology-driven conflict across history – a core franchise theme – filtered through a prestige TV lens. As more casting and scheduling details arrive, the contours of this adaptation should come into sharper focus.

Meet the Author

Daniel Togman

Editor-in-Chief & Gaming Analyst at TopGame.blog

Daniel Togman is a gamer with an editor’s eye (and an editor with a gamer’s heart). As Editor-in-Chief of TopGame.blog, he makes sure every review, guide, and insight hits with honesty, clarity, and a bit of flair. Years in content creation and gaming journalism taught him one thing: readers don’t want fluff — they want the real stuff. And that’s exactly what he delivers.

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